American Taxpayers’ Money Invested In Genocides

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I See What I Want

Mahmoud Darwish

I see what I want in the farm ... right now I see 
braids of wheat combed by the wind, and I close my eyes 
This mirage leads to Nihawand, 
and this calm leads to lapis lazuli 
I see what I want in the sea ... right now I see 
a rush of swans at sunset, and I close my eyes 
This wandering leads to an Andalusia, 
and this sail is a dove's prayer over me 
I see what I want in the night ... right now I see 
the endings of this long life at one of the cities' gates 
I will toss the pages of my log into the cafes at the dock and find a seat 
for my absence aboard one of the ships 
I see what I want in the soul: the face of a stone 
scratched by lightning- green, oh land, green is the land of my soul- 
haven't I been a child playing at the edge of a well? 
I'm still playing ... this space is my playground and the stone is my wind 
I see what I want in peace ... right now I see
a deer and grass and a stream of water ... and I close my eyes: 
this deer is asleep on my arm 
and the hunter asleep, too, near its sons, in a faraway place 
I see what I want in war ... right now I see 
the arms of our ancestors squeezing a wellspring into green stone 
And our fathers inherited the water, but did not bequeath it, and I close 
my eyes: 
The land in my hands is the work of my hands 
I see what I want in prison: days of a flowering 
that led from here to two strangers in me 
seated in a garden- I close my eyes: 
How spacious is the earth! How beautiful the earth from the eye 
of a needle 
I see what I want in lightning ... right now I see 
farms bursting from their chains with vegetation- bravo! 
The song of the walnut floats down, white above the villages' smoke 
like doves ... doves we feed alongside our children 
I see what I want in love ... right now I see 
horses making the plain dance, fifty guitars sighing 
and a swarm of bees sucking wild mulberry, and I close my eyes 
to see our shadow behind this homeless place 
I see what I want in death: I fall in love, and my chest opens 
and a white unicorn jumps out and gallops over the clouds 
soaring on endless gauze, swirling with eternal blue 
So please do not stop my death, do not return me to a star of soil 
I see what I want in blood: right now I see the murdered, 
his heart lit by the bullet, say to his murderer: from now on 
you remember 
no one but me. I killed you without meaning to but from now on 
you remember no one but me, nor can you endure spring flowers 
I see what I want in the theatre of the absurd: fiends in judges' robes, 
the emperor's hat, the masks of our time, the colour of old sky, 
women who dance for the palace, the chaos of armies 
Then I choose to forget everything, remember only the noise behind 
the curtain 
I see what I want in poetry: when poets died, we attended their funerals, 
buried them with flowers, returned safely to their poetry ... 
now in the age of magazines, movies, and droning, we laugh—sprinkle 
a handful of soil on their poems, come home to find them at our door 
I see at dawn what I want in the dawn ... right now I see 
nations looking for bread in other nations' bread 
Bread is what unravels us from the silk of drowsiness, from the cotton 
of our dreams 
Is it from a grain of wheat that the dawn of life shines ... and the 
dawn of war? 
I see what I want in people: their desire 
for yearning, their reluctance to go to work, 
their urgency to come home ... 
and their need for greetings in the morning 

Translated by Saadi Simawe and Ellen Doré Watson from the Arabic
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”Without Ethics Man Had No Future “

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Nazzal’s Gallery 1

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Hossam’s Last Message

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Gaza in Every Breath

Phapoem editor , 26/05/24

In morning light, Gaza’s call,

With my coffee, in my thoughts,

In breakfast’s taste, its shadow falls,

In every step my journey walks.

On evening strolls with the dog,

Under skies of endless blue,

Gaza’s pulse within me throbs,

Its spirit old, yet ever new.

At noon and night, in every bite,

Its essence fills my soul,

Gaza’s breath, my heart ignites,

In dreams, it makes me whole.

Like oxygen, it flows through me,

A lifeline I cannot forsake,

Gaza’s presence, wild and free,

In every breath, for its sake.

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Don’t Look Away, Please

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Echoes of Justice

Youth’s poetry ignites my quest,
Against oppression, I protest.
In Palestine’s struggle, voices rise,
For freedom, peace, justice, my cries.

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In Handala’s Playground: Season 1, Episode 10: The Postcard She Kept

S.T. Salah, 2/03/25

[Scene: A bombed-out street in Gaza. Smoke and dust fill the air. Hassan kneels beside Samira, cradling her fragile body in his arms. Handala, barefoot as always, stands nearby, watching in silence. The ambulance siren wails in the background, but Hassan knows—he knows it’s too late.]

Hassan (his voice shaking, brushing dust from her face):

“Samira… stay with me, love. Please. Just a little longer. Help is coming.”

Samira (her voice weak, but calm, her fingers barely gripping his sleeve):

“Hassan… you finally… found me.”

Hassan (choking back a sob):

“I was always looking. Always.”

Samira (her lips tremble into a faint smile):

“I kept your postcard… five times a day… it was my window… to a world without war.”

Hassan (his forehead presses against hers, his tears mixing with the dust on her skin):

“I should have written more. I should have told you—”

Samira (interrupting, her breath shallow):

“You told me enough… you told me… you saw me.”

[She exhales softly, her grip loosening. Hassan stares, willing her chest to rise again, but it doesn’t.]

Hassan (his voice breaking, rocking her gently):

“Samira? Ya Samira… no… no, no, no…”

[Handala steps forward, his small hands clenched into fists. He doesn’t cry. He never does. He simply watches.]

Handala (softly, bitterly):

“She built houses in her mind while they destroyed them in real life. She dreamed of arches and courtyards… but they buried her beneath rubble.”

[Hassan looks up at him, eyes hollow.]

Hassan (whispers):

“What do I do, Handala? What do I do with all the may-have-beens?”

Handala (his voice quiet, yet filled with centuries of sorrow):

“You carry them. Like we all do. Like we always will.”

[The ambulance siren wails on. But it is too late. For Samira. For Hassan’s love story. For yet another dream stolen by war.]

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Israeli Protests: A Fight for Democracy or Selective Outrage?

Voice of Palestine, 23/03/25 

In recent weeks, tens of thousands of Israelis have taken to the streets in mass protests against Prime Minister Benjamin Netanyahu’s government. Their demands? An end to the war in Gaza—not to stop the relentless killing of Palestinians, but primarily to secure the release of Israeli prisoners held by Hamas. This raises a fundamental question: What kind of democracy are they fighting to protect?

Selective Concern: Ignoring Palestinian Suffering

While these protests are framed as a fight for democracy, human rights, and peace, the glaring hypocrisy cannot be ignored. Many of these demonstrators are not opposing Israel’s brutal war machine because of the tens of thousands of Palestinian civilians—women, children, and entire families—slaughtered by Israeli bombs. They are not marching against the deliberate starvation of 2.3 million people in Gaza or the complete destruction of homes, hospitals, and refugee camps. Their outrage is not directed at the ethnic cleansing that continues to displace Palestinians daily.

Instead, their primary focus is securing the safe return of Israeli captives. While every human life matters, the failure to acknowledge the suffering inflicted on Palestinians exposes a deep-rooted issue: these protests are not about justice, but self-interest.

A Democracy Built on Apartheid?

Israel prides itself on being the “only democracy in the Middle East,” yet it systematically denies basic human rights to millions of Palestinians living under occupation. A democracy cannot exist alongside apartheid, occupation, and ethnic cleansing. The Israeli government has bombed Gaza into ruins, cut off food and medical aid, and turned an entire population into targets. What kind of democracy operates like this?

If Israelis were truly protesting for democracy, they would be demanding an end to settler colonialism, apartheid policies, and the illegal occupation of Palestinian land. Instead, their protests focus on their own people while ignoring the war crimes committed in their name.

International Silence and Complicity

The international community, particularly Western governments, continues to treat these protests as a sign of a “healthy democracy” in Israel. But a democracy that only values the rights of one group while dehumanizing another is not a democracy—it is fascism.

Israel’s actions in Gaza and the West Bank mirror colonial and apartheid regimes of the past. Yet, those who champion human rights and democracy in other conflicts remain largely silent when it comes to Palestinian suffering. The hypocrisy is deafening.

True Justice Means Ending the Occupation

If Israelis truly want peace and democracy, their protests must demand an end to the occupation, apartheid, and the genocide of Palestinians—not just the return of Israeli prisoners. Until then, their so-called fight for democracy is nothing more than selective outrage, built on a system of oppression, racism and fascism.

History will remember which side stood for true justice—and which side remained silent or complicit in genocide.

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