7 Palestinian Artists You Need To Know About

Art can change the world, and as these Palestinian artists are proof, it can also unravel the path to healing, transformation and greater understanding

By Maghie Ghali 

October 31, 2023

Palestinian artist you need to know Malak Mattar

With the humanitarian crisis that has engulfed Gaza for decades, it’s easy to forget that the region is blessed with incredible Palestinian artists who are using their canvas for change. From emerging young talents to established award-winning masters, here are some of the artistic voices from Palestine you need to know about.

Khalil Rabah

Born in Jerusalem in 1961, Ramallah-based conceptual artist Khalil Rabah is known for his engaging artworks centring on themes of identity, displacement and history. He graduated with a degree in fine art and architecture from the University of Texas and has since participated in numerous exhibitions around the world, as well as several biennials, including the São Paulo Biennial, Venice Biennale and Istanbul Biennial.

Palestinian Artists You Need To Know About Khalil Rabah

Over the years, his work has been acquired by major institutions including The British Museum, The Guggenheim and The Sharjah Art Foundation. Rabah is also the co-founder of Al-Ma‘mal Foundation for Contemporary Art in Jerusalem and ArtSchool Palestine in London, as well as artistic director of the Riwaq Biennial. Most notable he is the founder of the Palestinian Museum of Natural History and Humankind, an ongoing project based on a fictitious institution which challenges conventional western notions of museology. Recreated differently in every location, its form and content vary; indeed, its very instability suggests the difficulty of creating an identity in the face of an occupation and displacement.

Malak Mattar

Malak Mattar, born in 2000 and raised in Gaza, quickly became a fixture of the Palestinian art scene, when at the age of 13 she began painting her everyday reality during the 2014 Gaza War, as a way to express her emotions and heal her trauma, with the encouragement of her uncle and fellow painter Mohammed Musallam.

Palestinian Artists You Need To Know About Malak Mattar

In 2017, Mattar was given the opportunity to study abroad, after graduating high school with the second-highest GPA in Palestine. She attended university at Istanbul Aydin University in Turkey, where she studied Political Science and International Relations and in 2023 began studying at London’s Central St Martins for master’s degree.

Her paintings are bold and colourful despite the tragic events that inspire them and often deal with her personal feelings and experience as a woman in Palestine. Her work has been shown in 80 countries around the world. Often, her style is likened to that of Picasso or Frida Kahlo, with Palestinian symbols of oranges, birds, olive trees and pomegranates featuring in her artworks.

Dima Srouji

Architect and artist Dima Srouji is based between Ramallah and London. Exploring the erasure of cultural heritage – especially through the lens of archaeology, history and traditions.

Palestinian Artists You Need To Know About Dima Srouji

After completing architecture degrees at Kingston University and Yale University, she began her own artistic practice Hollow Forms Studio and has taught design at London’s Royal College of Art in London. Through film, glass and plaster, her art projects are often developed closely with archaeologists, anthropologists, sound designers, and glassblowers.

Srouji was the 2022-2023 Jameel Fellow at the Victoria & Albert Museum, where she replicated Levantine glass artefacts taken by western archaeologists and institutions. Her clear glass forms are an attempt to reclaim Palestine’s lost heritage and comment on the history of western institutions claiming other culture’s historical treasures.

Abdul Rahman Katanani

Born in 1983 and raised in the Sabra refugee camp in Beirut, Lebanon, Abdul Rahmna Katanani is a third generation Palestinian refugee, who’s grandparents left Jaffa in 1948. He began his artistic career at the tender age of 15 as a cartoonist, creating satirical drawings about the corruption and misappropriation of United Nations subsidies and daily camp life.

Palestinian Artists You Need To Know About Abdul Rahman Katanani

When studying at the School of Fine Arts in Beirut, his artwork quickly developed a political language, created from barbed wire, corrugated iron, pieces of wood and oil barrels – whatever recycled materials might be found and used in refugee camp – to tell the story of the collective Palestinian experience. Some of his most famous works include massive waves made from barbed wire, taking over whole gallery space, comparing the displacement and suffering of Palestinians to a tsunami that sweeps away all hope and joy.

Samar Hussaini

Samar Hussaini’s work is deeply rooted in her Palestinian heritage and culture, blending mixed-media fine arts with traditional Palestinian embroidery known as tatreez. Born in the US, she graduated with a BFA in Art History and Studio Arts from the University of Maryland before pursuing a Master’s degree in communication design from Pratt Institute in New York.

Palestinian Artists You Need To Know About Samar Hussaini

Her artistic practice is colourful and contemporary, whilst still paying homage to the creativity of her homeland. Through stitched together paintings, sculptures and ready-to-wear garments, her multi-disciplinary approach speaks to the complexities of identity through the use of the traditional tatreez embroidery that has different patterns and designs for different regions of Palestine. Hussaini modernizes this stunning embroidery to represent the identity of those living in the diaspora, symbolizing new Palestinian identities.

In 2022, Hussaini achieved international acclaim for her participation in the Venice Biennale collateral group exhibit ‘From Palestine with Love’, sponsored by the Palestine Museum, with a dress-based installation featuring hand-dyed abayas with embroidery in modern colours and designs.

Taysir Batniji

Palestinian Artists You Need To Know About Taysir Batniji

Born in Gaza in 1966, Taysir Batniji now lives between his hometown and Paris. He studied art at Al-Najah University in Nablus and in 1994, was awarded a fellowship to study at the School of Fine Arts of Bourges in France. Since then, he tried several times to return to Gaza – unsuccessfully – and the constant instability directed his artwork towards themes of impermanence, loss and fragility, drawing from his deeply personal experiences, including the death of his brother.

In 2012 he was awarded the Abraaj Group Art Prize and became the recipient of the Immersion residency program, supported by Hermes Foundation, in alliance with Aperture Foundation in 2017. His works can be found in the collections of many prestigious institutions, such as Centre Pompidou, the Victoria & Albert and The Imperial War Museum in London.

Reem R.

Rounding off our list of Palestinian artists you need to know is the up and coming visual artist Reem R. (1995) who creates work inspired and influenced by daily observations, human interactions, personal experiences, and memories. Contrasting vivid colour palettes and carefully-composed paintings, the works capture the essence of her inner world, intertwining personal symbols with cultural references.

Palestinian Artists You Need To Know About Reem R

In 2017 she achieved her Bachelor of Science in Multimedia Design at the American University of Sharjah. Her work has been exhibited in Qatar and the UAE, and further afield in Croatia, France, Morocco, South Africa, and Spain. Her paintings usually transform pop-art like images of everyday items and icons into bizarre still lifes, inviting the viewers to engage their imagination to come up with their own interpretations or meanings behind the pieces. 

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The Death of Empathy: How Israeli Society Turned Away from Genocide in Gaza

Phalapoem editor, 07/10/25


After nearly two years of relentless Israeli bombardment, genocide, siege, and starvation in Gaza, much of Israeli society and media appear trapped in a bubble of selective empathy. News outlets and public discourse remain overwhelmingly focused on the pain of Israeli hostages and fallen soldiers, while the unimaginable suffering of millions of Palestinians just across the border is reduced to background noise,  if mentioned at all.

This selective moral vision is not accidental. It reflects years of dehumanization and separation, reinforced by a media system that rarely portrays Palestinians as equal human beings. As Gaza endures a humanitarian collapse with entire families wiped out, hospitals destroyed, and children dying from malnutrition, many Israelis consume a narrative centered solely on national trauma and military resilience. The silence about Palestinian lives is not just omission; it is a moral failure.

The phrase “Never again” , born from the world’s vow to prevent atrocities was meant to protect all peoples from mass suffering. Yet, for many observers, it now seems that this universal lesson has been reshaped into a narrow, tribal slogan. The deep historical context of this conflict dating back more than seven decades to the dispossession, ethnic cleansing and killing of hundreds of thousands of Palestinians by Israeli occupation forces largely erased from mainstream Israeli memory. The violence did not begin on October 7, 2023, nor will it end with another military victory speech.

Real justice requires confronting uncomfortable truths: that the same society demanding empathy for its captives often denies empathy to those it holds captive. True safety for Israelis will never come from the destruction of Gaza, but from a shared recognition of Palestinian humanity and a reckoning with history that has too long been denied.

Until that happens, Israel risks losing not only its moral compass but also the possibility of coexistence and peace.

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In Handala’s Playground: Season 2, Episode 4: Meeting in Downing Street

Phalapoem editor, 07/10/25

Handala (the small boy with his back turned, bare feet on cold marble):

Two years of children buried in rubble, two years of mothers digging with their hands.

Twenty thousand little bodies.

And now—only now—you recognise my country?

Tell me, Prime Minister, did the paperwork comfort you while the bombs fell?

Starmer (tight smile):

Recognition is a step toward peace.

Diplomacy takes time; we must be responsible actors on the world stage.

Handala:

Time?

My people measure time in mass graves.

Your “responsibility” signs three hundred weapons licenses while you whisper the word peace.

Is that diplomacy—or arithmetic of death?

Starmer:

The United Kingdom maintains export controls.

All sales are subject to rigorous review.

We cannot simply abandon our strategic alliances.

Handala:

Strategic alliances.

Fine words to hide a dripping blade.

You send planes to spy on the children you claim to protect,

ban the protests that call their names,

and shake the hand of a man the world’s court calls a criminal.

Is this what Labour means by justice?

Starmer:

We condemn civilian suffering.

But Israel has the right to defend itself.

Handala (still facing away):

Defend itself from whom?

From the babies you help starve?

From the grandparents clutching photos under the dust?

Your “right to defend” is a license to erase us.

Starmer:

History is complicated.

Britain cannot rewrite the past.

Handala:

But Britain wrote the past—

inked the Balfour promise,

handed our home to strangers,

and now hides behind complexity while the descendants of that ink bleed.

You cannot rewrite it, but you repeat it.

Starmer:

Recognition is progress.

It opens a path to negotiation.

Handala:

Recognition without action is a flag planted in ashes.

Stop the weapons.

Lift the bans on speech.

Cut the strings that tie you to slaughter.

Until then, your “progress” is just another checkpoint on the road to our graveyard.

(Handala remains with his back turned—silent, unbowed. The Prime Minister adjusts his tie, searching for a word that does not exist.)

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Germany’s Dark Legacy: From Namibia to Gaza, Complicity in Atrocity

Phalapoem editor, 24/09/25

Germany presents itself as a global defender of human rights, a nation that learned the lessons of its bloody past. Yet its actions tell a far different story. From the colonial genocide in Africa, to the Holocaust in Europe, and now to the devastation of Gaza, Germany’s history reveals a pattern of complicity in mass violence—one it continues today through unwavering support for Israel’s assault on Palestinians.

Long before the Holocaust, Germany committed what historians recognize as the first genocide of the 20th century. Between 1904 and 1908, German colonial forces in present-day Namibia carried out a campaign of extermination against the Herero and Nama peoples. Tens of thousands were driven into the desert to die of starvation and thirst. Concentration camps were established, where survivors were subjected to forced labor, starvation, and medical experiments—grim foreshadowings of what was to come decades later in Europe.

Then came the Holocaust, the most infamous crime of the modern era. Six million Jews, along with Polish people, Roma, disabled people, and political dissidents, were systematically murdered. The phrase “Never Again” emerged as both a warning and a vow. Germany pledged eternal vigilance against the forces of hatred and genocide.

But “Never Again” has become selective. Today, as Gaza faces relentless bombing, starvation, and mass displacement, German leaders continue to supply Israel with weapons and diplomatic protection. Human rights organizations, UN experts, and legal scholars confirmed that Israel is carrying out genocide in Gaza, weaponising starvation and ethnic cleansing, yet Berlin stands firmly behind Tel Aviv. German officials invoke “Israel’s right to self-defense” while refusing to acknowledge the scale of Palestinian suffering.

Criticism of Israeli policy is often met with accusations of antisemitism in Germany, effectively silencing debate and criminalizing solidarity with Palestinians. This weaponization of Holocaust guilt allows Germany to posture as a protector of Jewish life while ignoring the universal lesson of its own history: that no people should face collective punishment or extermination.

Germany’s moral obligation should be clear. True reckoning with the past means opposing genocide and apartheid everywhere, not selectively. Supporting a government accused of war crimes in Gaza is not atonement for the Holocaust—it is a betrayal of the very principle of “Never Again.”

From the killing fields of Namibia to the death camps of Europe to the ruins of Gaza, Germany’s pattern of enabling mass atrocities cannot be ignored. History will judge Berlin not by its memorials or speeches, but by its actions. And today, those actions place it on the wrong side of justice, once again.

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Greta is one of our Big Heroes❤️

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Israeli Occupation: The Serial Animal Killer 

The zoo, part of the Al-Bisan recreational park in Jabalya, was hit multiple times during Israeli airstrikes. The three monkeys were some of the few lucky animals to survive the blitz in Gaza as many were killed in explosions or starved to death.  

Al-Bisan’s zoo, a battlefield’s cruel feast,
Explosions echo, innocence released.
Species shattered, haven obliterated,
Occupation’s rain, where anguish is narrated.

Rare lives extinguished, a tragic lore,
A lion’s hunger, a cage of war.
Colors drained, sorrow etched,
A plea for rescue in a world wretched.

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Echoes of Justice

Youth’s poetry ignites my quest,

Against oppression, I protest.

In Palestine’s struggle, voices rise,

For freedom, peace, justice, my cries.

Palestinians walk past a mural of George Floyd, a black American who died after being restrained by police officers, in Gaza City, Tuesday, June 16, 2020. (Photo by Majdi Fathi/NurPhoto)
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The Normalization of Israeli Killing in Palestine: How Daily Massacres in Gaza Became the World’s Indifference

Phalapoem editor, 07/10/25

In Gaza, the unthinkable has become daily life. Reports indicate that approximately 100 Palestinians are being killed by Israeli occupation army every day, yet this staggering loss of life seems to barely ripple the consciousness of the wider world. Over 67,000 people have perished in Gaza by the Israeli occupation forces and each a human story cut tragically short, yet Western governments remain largely silent, their empathy muted or absent altogether.

The scale of this genocide  is hard to comprehend. Families are torn apart, children are growing up amidst ruins, and entire neighborhoods vanish in a haze of violence. Hospitals were  demolished and food and water are scarce, and the constant threat of Israeli bombardment leaves no space for normalcy. Yet in diplomatic corridors and media headlines, Gaza’s agony is often reduced to numbers, statistics, or geopolitical footnotes.

This normalization of death is deeply disturbing. When the world grows accustomed to genocide, the humanity of the victims is erased. The absence of strong condemnation or meaningful action by governments that champion human rights elsewhere speaks volumes. It is a chilling reminder that selective empathy often dictates which lives are valued and which are dismissed.

We must remember that behind every number is a life: a mother, a father, a child, a teacher, a doctor. Each loss weakens the moral fabric of our shared humanity. It is imperative for individuals, organizations, and governments to confront this reality, to speak out against injustice, and to demand accountability for the war criminals. Silence in the face of genocide, ethnic cleansing and starvation is complicity.

The world cannot let the daily delicate Israeli killing of  Gaza children become a mere statistic. We must resist the normalization of genocide and insist that empathy, justice, and human rights are universal, not selective.

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The Only Way to End Israel’s Genocide

By Chris Hedges

There is only one way to end the ongoing genocide in Gaza. It is not through bilateral negotiations. Israel has amply demonstrated, including with the assassination of the lead Hamas negotiator, Ismail Haniyeh, that it has no interest in a permanent ceasefire. The only way for Israel’s genocide of the Palestinians to be halted is for the U.S. to end all weapons shipments to Israel. And the only way this will take place is if enough Americans make clear they have no intention of supporting any presidential ticket or any political party that fuels this genocide…

If we do not hold fast to moral imperatives, we are doomed. Evil will triumph. It means there is no right and wrong. It means anything, including mass murder, is permissible. Protestors outside the Democratic National Convention at the United Center in Chicago demand an end to the genocide and U.S. aid to Israel, but inside we are fed a sickening conformity. Hope lies in the streets.

A moral stance always has a cost. If there is no cost, it is not moral. It is merely conventional belief…

The question is not whether resistance is practical. It is whether resistance is right. We are enjoined to love our neighbor, not our tribe. We must have faith that the good draws to it the good, even if the empirical evidence around us is bleak. The good is always embodied in action. It must be seen. It does not matter if the wider society is censorious. We are called to defy — through acts of civil disobedience and noncompliance — the laws of the state, when these laws, as they often do, conflict with moral law. We must stand, no matter the cost, with the crucified of the earth. If we fail to take this stand, whether against the abuses of militarized police, the inhumanity of our vast prison system or the genocide in Gaza, we become the crucifiers.

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Pappé

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